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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Haunted Piano KONTAKT-DISCOVER
    March 22nd, 2015 ⚡
    Categories: Audio Samples

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    Haunted Piano KONTAKT

    DISCOVER | 21 MARCH 2015 | 132 MB

    The thing about toy pianos is this: they’re scary. Just like a playground at midnight with one empty swing moving; or a rocking horse in a dusty, forgotten nursery suddenly creaking against the floorboard; or the doll whose eyes follow you from across the room. Don’t turn your back on them. Haunted Piano is created from multiple samples of two toy pianos which between them span a full three octave range. We sampled them at midnight, by candlelight, when the moon was full (and at 24-bit, natch). Using three velocity layers and two round robin sets, we created an eminently playable and responsive virtual toy piano, which can sound just as clunky and naive as the originals. But then we went a bit further down the spookiness path, pushing the sound of the virtual instrument into sound-design territory. The samples can be reversed with the click of a button, to give eery builds and surprise tones, or to recall those “backwards masking” moments so favoured by demonic rock bands. They can also be force-transposed down by three octaves for groaning, bottom-of-the-sea, sepulchral noises and cavernous drones; or pitched up two octaves for tiny, sparkling fairy-bell sounds that glitter and gleam.



    Viewed 2847 By Music Producers.


    • Lorenzo KONTAKT-DISCOVER
      March 22nd, 2015 ⚡
      Categories: Audio Samples

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      Lorenzo KONTAKT

      DISCOVER | 22 MARCH 2015 | 178 MB

      We have a bit of a soft spot for reed organs. They can add an instant blanket of breathing, organic warmth to a track. Their tuning’s never perfectly stable. The reeds are never quite in sync. The fan noise adds a dash of high-frequency texture to each note. Overall, we can’t get enough of them. The Lorenzo is a compact four-octave reed organ. No chord accompaniment buttons; no tone controls; just keys and reeds and a fan breathing air over them. So it only does one thing, but the sound it makes it just fantastic. We were very taken by what a contrast this machine is to Sheltone – a much darker tonality with a very slight sense of crackle from the fan; almost a vinyl warmth. Where Sheltone is bright and clear and great for cutting through a mix, Lorenzo is richer-sounding and fuller.



      Viewed 2087 By Music Producers.


      • Big Room EDM Drops 3 WAV MiDi-DISCOVER
        March 22nd, 2015 ⚡

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        Big Room EDM Drops 3 WAV MiDi

        DISCOVER | 21 MARCH 2015 | 351 MB

        ‘Big Room EDM Drops 3’ is the third instalment of this huge and exciting new series. Bringing you more of the best tools for your next Big Room EDM track, you’ll find 50 cone-shaking Big Room EDM kicks in key, 50 wet Big Room EDM drop loops and 50 Dry versions so you can apply your own effects, plus 50 Big Room EDM Drops as MIDI files for ultimate flexibility to change note data or apply your own sound. Inspired by Martin Garrix, Jay Hardway, DVBBS, Borgeous, Showtek, Dimitri Vegas, and many more top artists from around the world.



        Viewed 2288 By Music Producers.


        • NanoMods Series KONTAKT-DISCOVER
          March 22nd, 2015 ⚡
          Categories: Audio Samples

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          NanoMods Series KONTAKT

          DISCOVER | 21 MARCH 2015 | 808MB

          The idea behind NanoMods is a deceptively simple one: take a series of rich, powerful analogue waveforms and pack them into a small, clever sound engine that takes all the effort out of dialling up your own classic patches. The result is a miniature synth module that’s dead easy to use, but which has got it where it counts: in the sound. Each NanoMod aims to fill a specific sonic niche – pads, basses, strings and so on – building into a collection of fresh and focused sounds for your music. As we release more of them, and the collection grows, you can pick and choose the NanoMods you want. They all share similar simple but powerful interfaces, allowing you to dial up your own tones swiftly and efficiently using clever controls that actively help you get the results you want. Each of the synth-style NanoMods starts with two blendable source waveforms sampled from hardware analogue synths, chosen for a specific sonic task (like pad sounds, or string machines).



          Viewed 3695 By Music Producers.


          • Logan KONTAKT-DISCOVER
            March 22nd, 2015 ⚡
            Categories: Audio Samples

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            Logan KONTAKT

            DISCOVER | 21 MARCH 2015 | 386 MB

            1977 was a great year. Star Wars came out in the cinemas. The Queen had her Silver Jubilee (where I got to dress up like a policeman in our school parade). And the Logan String Melody II was released. The String Melody had come out a few years earlier, in 72, but hadn’t been much of a hit. The mk II changed all that, earning itself a spot in the pantheon of All Time Greats. It looked stunning, with lavish 1970s real wood veneer and a delightfully responsive waterfall keyboard that made it a real player’s instrument. But that wasn’t why it was a hit. The reason is very simply to do with the sound it makes. It doesn’t sound much like a real string ensemble, but it sounds amazing regardless, and it’s graced a thousand hit tracks as a result. It’s thick, warm, rich, thoroughly analogue, and yet at the same time airy. It’s controllable, with drawbar-style faders to combine registrations, and attack and release controls too. And the five “Preset” buttons offer different settings of vibrato and chorus effect across all those synthesised strings, giving you huge, swirly, gorgeous acreages of pads that stretch on into the sunset… And we’ve sampled every last wonderful resonance of it for you!



            Viewed 1777 By Music Producers.


            • Lambda KONTAKT-DISCOVER
              March 22nd, 2015 ⚡
              Categories: Audio Samples

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              Lambda KONTAKT

              DISCOVER | 21 MARCH 2015 | 2.24 GB

              First produced in 1979, the Korg Lambda ES50 was a monumental wedge of polished wood and analogue electronics designed to take the string synth concept to a higher level. It distinguished itself from string synths that had gone before on a number of fronts: it was fully polyphonic, not paraphonic; it had a host of real-time tonal and envelope controls over the sound; it combined string and ensemble sounds with key sounds like pianos, EPs and clav; and most of all, it included a rich, analogue, swirling, stereo chorus effect. This fact alone set it head and shoulders above its contemporaries. The Lambda’s chorus (which it calls “Chorus Phase”) makes for a superbly lush, expansive sound, thickening the strings and other patches, filling out the soundstage, and warming a whole mix with a single button-press. It’s a little touch of analogue magic! The tones are a great selection of sounds. The Lambda divides its tones into Percussive (for which read “keyboard”) and Ensemble (for which read “orchestral). On the Percussive side of the panel we get a great EP, a nice sharp Clav sound, a thick and funky Piano, and a very useful high-pitched Harmonics sound that combines well with the other sounds.



              Viewed 3097 By Music Producers.


              • Jennings Mk2 KONTAKT-DISCOVER
                March 22nd, 2015 ⚡
                Categories: Audio Samples

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                Jennings Mk2 KONTAKT

                DISCOVER | 21 MARCH 2015 | 879 MB

                This is what happens when you take 1950s valve-driven technology – courtesy of the amazing Jennings Univox valve synthesiser – and pump it with so many tachyons that it warps through its own wormhole into an alternate future. Well, not really. But that’s kind of what we were thinking when we started Jennings Mk 2: what would a massive analogue polysynth – the kind Roland were building in the 80s, say – sound like if the only technology available was 1950s valves? A multi-oscillator monster with all kinds of LFOs and modulation and so on, but with a valve heart? Well, no such thing exists, of course; so we built it. And it turns out it sounds pretty damn swell…



                Viewed 2586 By Music Producers.


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