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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Devious Machines Plugins Bundle v2021.10 WiN MAC
    October 26th, 2021 ⚡
    Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x64

    Devious Machines Plugins Bundle v2021.10 WiN MAC

    DMS Plugins Bundle WiN MAC

    Team FLARE/R2R | 26 October 2021 | MAC: 713 MB | WiN: 713 MB

    ..:: AAX/AU/VST/VST3/x64 ::..



    Viewed 21734 By Music Producers.


    • MetaPlugin 3 v3.9.71 macOS-SPTNDC
      October 24th, 2021 ⚡
      Categories: AU, macOS, VST, VST3, x64, x64, x86, x86

      MetaPlugin 3 v3.9.71 macOS-SPTNDC

      MetaPlugin 3 v3.9.71 MAC

      SPTNDC | October 24 2021 | 40.5 MB

      PLATFORM: MAC32/64 – AU/VST/VST3

      Metaplugin is a plugin that loads other plugins. As simple as that. Build your own effect networks with this plugin wrapper using any VST/VST3 (and AU, if you’re on Mac) effect you already have on your harddisk. To get you started, a Mid-Side matrix, a fourband crossover filter and a routing plugin are included in the package. This means instant cross-track routing, mid-side, multiband compression/distortion/reverb/… you name it. Of course that’s only the beginning… let your imagination run free, nothing is impossible, from creating your own layered synth sounds to building whole sound generators from scratch using simple modules.



      Viewed 14134 By Music Producers.


      • Goliath 2 v1.5.0 AAX AU VST x86 x64 WiN MAC-R2R
        October 24th, 2021 ⚡
        Categories: AAX, AU, macOS, VST, WiNDOWS, x64, x86

        Goliath 2 v1.5.0 AAX AU VST x86 x64 WiN MAC-R2R

        Goliath 2 v1.5.0 WiN MAC

        Team R2R | 2021.10.24 | WiN: 16.7MB | OSX: 56.8MB

        PLATFORMS: WiN32/64 – VST/AAX | MacOSX – AU/VST/AAX

        Goliath V2 features 4 Analog Modelled Processing chains featuring ALLOY (Nickel, Iron, Steel based Transformers), TUBE, TAPE & VINYL with a drive control plus a FET based envelope and a 3 band EQ. This is a truly revolutionary and “analog” sounding tool. Be prepared to be pleasantly surprised! What’s new ? Goliath, our top-selling plugin is back in a brand new avatar with a completely new sound engine and new features. This plugin now has 4 types of Saturation models – Alloy, Tube, Tape & Vinyl with Drive. We now use our Advanced DSP models featuring our own proprietary “Multi Convolution” & Component Modelling Technique to simulate “Real” hardware chains of analog gear. Additionally, the plugin now features a full FET compressor in its envelope section and a 3 band EQ plus a Low Cut Filter.



        Viewed 13036 By Music Producers.


        • OptoRED v1.1.0 WiN MAC-R2R
          October 24th, 2021 ⚡
          Categories: AU, macOS, VST, VST3, WiNDOWS, x64

          OptoRED v1.1.0 WiN MAC-R2R

          OptoRED v1.1.0 WiN MAC

          Team R2R | 2021.10.24 | WiN:7.9 MB | MAC:27.7 MB

          PLATFORMS: WiN64 – VST3 | MacOSX – AU/VST3

          OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series. Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically. Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.



          Viewed 13857 By Music Producers.


          • REDDI v1.0.3 WiN-R2R
            October 24th, 2021 ⚡
            Categories: AAX, VST, VST3, WiNDOWS, x64, x64

            REDDI v1.0.3 WiN-R2R

            REDDI v1.0.3 WiN

            Team R2R | 24 Sep 2021 | 10.4MB

            ..:: VST, VST3, AAX, x64 ::..

            The original hardware REDDI is a legend among professional session players and commercial studio owners. Its hybrid tube/solid state gain circuits, beefy transformer, and oversized power supply have an uncanny ability to both reign in bass transients and punch them up. Without any eq – simply through its gentle tube shimmer – REDDI gets bass, synths, and guitars to ’sit’ in the mix with less processing and fuss. The REDDI plugin, then, is designed to be used as any analog DI would: first in the chain, as an initial treatment before compression, saturation or eq – imparting its unique tube sweetness to any instrument in your mix.



            Viewed 5516 By Music Producers.

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            • Blyss v1.1.0 WiN-R2R
              October 23rd, 2021 ⚡
              Categories: AAX, VST, VST3, WiNDOWS, x64, x64

              Blyss v1.1.0 WiN-R2R

              .:Blyss v1.1.0 WiN:.

              Team R2R | 2021.10.22 | 52.48 MB

              PLATFORM: VST/VST3/AAX(MOD)

              A mastering-style EQ, sandwiched inside six stages of delicate Saturation, feeding a dead-simple ‘finishing compressor’. It’s an EQ with a vibe, the likes of which could only come from Kush. Blyss Mastering Channel is a 3-stage processor designed specifically to make busses — both mix and instrument — sound “prettier”. It also happens to sound incredible on individual tracks too. While it has multiple cascading Saturations, a 6-band EQ and a mastering grade Compressor, all sections have been greatly simplified to reflect old-school approach to processing: less is more, choices are limited but comprehensive, and all sections are designed to work together, making it nearly impossible to produce a bad sound.



              Viewed 10537 By Music Producers.


              • Electra DSP v1.6.0 WiN-R2R
                October 23rd, 2021 ⚡
                Categories: AAX, VST, VST3, WiNDOWS, x64, x64

                Electra DSP v1.6.0 WiN-R2R

                Electra DSP v1.6.0 WiN

                Team R2R | 2021.10.22 | 12.93 MB

                PLATFORM: VST/VST3/AAX(MOD)

                The hardware Electra EQ set a high standard for fast, smooth, punchy equalization, and the Electra DSP’s precisely modeled filters embody that spirit flawlessly. The high shelf is surprisingly flexible, the bass reaches down to the floor. But those midrange filters have a magic proportional-Q, the more you boost the tighter they get. They’re so articulate, they can make drums sound like they were tuned and even mic’d differently. No matter how aggressively its set, Electra is relentlessly smooth and unapologetically analog in character.



                Viewed 16117 By Music Producers.

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