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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Eos v2.2.1 AAX AU VST VST3 WiN MAC LiNUX-ARTiCSTORM
    October 29th, 2021 ⚡

    Eos v2.1.1 AAX AU VST VST3 WiN MAC-ARTiCSTORM

    Eos v2.2.1 WiN MAC LiNUX

    ARTiCSTORM | 30 September 2021 | 13 MB

    (Win32/64, MacOSX, LiNUX; AAX, AU, VST3, VST)

    Eos 2 is a massive update our Eos algorithmic reverb. With an all-new entirely procedural GUI (featuring full Retina and Windows HiRes compatibility), a new cross-platform preset mechanism, a new reverb algorithm, the addition of crossover controls, the addition of VST3 versions, and a ground-up rebuild for future-proofing, Eos 2 is a worthy successor to our all-time best-plugin. Eos consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is not possible with convolution ‘verbs



    Viewed 14212 By Music Producers.


    • Kombinat Tri v3.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE
      September 13th, 2021 ⚡

      Kombinat Tri v3.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE

      Kombinat Tri v3.1.0 WiN MAC LiNUX

      SYNTHiC4TE | April 23 2021 | 17.1 MB

      AU/VST/VST3/AAX/x86/x64

      From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat Tri is a complete toolbox of sonic warfare, and a complete top-to-bottom rebuild of our popular Kombinat series.  With 13 different options in each of the three distortion engines (plus pass-through), Kombinat Tri is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild tube clip to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps or fuzz algorithms in series? This is your box. Kombinat’s signal structure allows for a fairly broad palette of sounds, as each segment of the overall effect is a versatile tool in its own right. On the front end is a full “DJ-style” band-killer EQ; this leads to the three distortion engines, which may be used in multi-band mode for subtle surgery, or in series mode for complete signal destruction. The engines lead to a multi-mode filter with 12 different topologies, and then on to a compressor which we have configured for one-control operation.



      Viewed 18938 By Music Producers.


      • Axon 2 v2.1.3 WiN MAC LiNUX RETAiL-SYNTHiC4TE
        September 11th, 2021 ⚡

        Axon 2 v2.1.3 WiN MAC LiNUX RETAiL-SYNTHiC4TE

        Axon 2 v2.1.3 WiN MAC LiNUX

        SYNTHiC4TE | August 20 2020 | 25 MB

        AU/VST/VST3/AAX/x86/x64

        Axon 2 is a drum synth driven by artificial intelligence. (Well, “intelligence” might be a strong word. Artificial something-or-other.) An experimental instrument, Axon uses a modified artificial neural network as a sequencer, and features seven FM-based percussion voices, that are really a single 18-operator FM voice. If that sounds weird, you ain’t seen nothing yet. It is surprisingly intuitive once you get the knack of it, and is capable of all-new, complex rhythms that repeat in surprising ways. It often gets referenced as a “random sequence generator,” but there is nothing random in Axon; it is entirely determinative. The sequencer features seven “neurons” that trigger a voice and send a pulse when they have received a predetermined number of pulses. You can wire the output of any neuron to the input of any other (with built-in loop detection to prevent runaway feedback), and in this manner pre-program the artificial neural network without having to go through a “learning” phase.



        Viewed 8803 By Music Producers.


        • Filterstation2 v2.1.1 WiN MAC LiNUX RETAiL-SYNTHiC4TE
          July 15th, 2021 ⚡

          Filterstation2 v2.1.1 WiN MAC LiNUX RETAiL-SYNTHiC4TE

          Filterstation2 v2.1.1 WiN MAC LiNUX

          SYNTHiC4TE | Dec 04 2020 | 28 MB

          AU/VST/VST3/AAX

          Filterstation2 is the take on the classic serial/parallel/stereo dual filter topology, made famous (and some would say “indispensable”) by the Sherman Filterbank and its many clones. With twelve filter algorithms, an envelope follower with stereo sidechain input, a full FSU section for extra signal hacking, and an easy-to-use interface, Filterstation2 is a valuable addition to any producer’s toolkit. Filterstation2 takes our original Filterstation plugin, and adds an all-new HiDpi/Retina-capable vector-based UI with resizability, a completely rewritten parameter and DSP section, a full selection of extreme modification tools, ProTools support, an cross-platform XML preset mechanism.



          Viewed 10604 By Music Producers.


          • Discord4 v4.1.x WiN MAC LiNUX RETAiL-SYNTHiC4TE
            July 9th, 2021 ⚡

            Discord4 v4.1.x WiN MAC LiNUX RETAiL-SYNTHiC4TE

            Discord4 v4.1.x WiN MAC LiNUX

            SYNTHiC4TE | Jan 08 2021 | 11 MB

            AU/VST/VST3/AAX/x64

            Discord4 is the latest version of our most popular and long-lived product, our Discord stereo pitch shifter. Originally modeled from the H910, Discord has long since become its own effect and a studio standby, and this version includes major additions to further stretch its capabilities. The pitch-shifter consists of three separate algorithms: a “vintage” mode (the original Discord algorithm, modeled on the Eventide H910 and H949), a “clean” mode for more modern shifting sounds, and a “granular” mode for experimental effects. Each mode has its strengths, depending on the input material, and Discord3 has a broad palette of capabilities as a result. The P1 and P2 algorithms have full control over the buffer (window) size of the shift effect, for fine tuning the shift to the input signal, or for stranger sound effects. At the extremes of the six-octave shift range, some truly strange aliasing and artifacts can be had with this control.



            Viewed 10722 By Music Producers.


            • AD036 Dubstation 2 v2.1.0a MAC RETAiL-SYNTHiC4TE
              June 24th, 2021 ⚡
              Categories: AAX, AU, Audio Damage, macOS, VST, VST3, x64, x86

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              Dubstation 2 v2.1.0a MAC

              SYNTHiC4TE | Nov 27 2019 | 4.2 MB

              AU/VST/VST3/AAX/x86/x64

              The original dub delay plugin and still the best! Dubstation 2 takes our most popular product and adds a whole raft of new features, including a dual mode for separate control over the left and right delay times, ping-pong, a new feedback saturation algorithm, and an LFO. Along with an all-new procedural and Retina-friendly user interface and (FINALLY!) ProTools compatibility, this represents a major leap forward for one of our signature products. All those bells and whistles aside, the heart of Dubstation is our painstaking bucket-brigade delay model. Often imitated, but never duplicated, Dubstation has been the go-to plugin for that sound for over a decade, used in thousands of commercial productions, and with good reason. With the addition of the LFO and saturation controls, Dubstation has moved in to the realm of tape delay emulation as well, and is a sonic Swiss Army knife for delay.



              Viewed 7527 By Music Producers.


              • Dr.Device v1.0.x AU UB VST WiN MAC
                June 10th, 2021 ⚡
                Categories: AU, Audio Damage, macOS, UB, VST, WiNDOWS, x86

                Dr.Device v1.0.x AU UB VST WiN MAC

                Dr.Device v1.0.x WiN MAC

                Teams AiR-DYNAMiCS | 2007 WiN: 1.54 MB | 2008 MAC: 2.33 MB

                Dr. Device is two (two! two!) hi-octane analog-style effects in one. First in the chain is a multi-mode filter, featuring our own private reserve 4-pole lowpass, along with 5 other tasty musical modes. Then, your audio takes a trip through our true-stereo analog delay. Couple these effects with a two-node XYZ pad, motion recording, and kinetics (you have to see it to believe it) and you’ve got an effect well-suited for both live performance and studio tweaking.



                Viewed 11236 By Music Producers.


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